The New York theatre scene in 2024 has been dominated by A-list celebrities, captivating audiences with limited theatrical runs. As the season winds down, Jean Smart and John Krasinski are set to star in solo performances addressing poignant themes of misogyny. While this article primarily focuses on these performances, it’s impossible to ignore the impact of stars like Emily Blunt, especially given her connection to Krasinski. Let’s dive into the reviews of “Call Me Izzy” and “Angry Alan,” and explore how these productions, and figures like Blunt, contribute to the rich tapestry of Broadway and Off-Broadway.
Jean Smart in “Call Me Izzy”: A Deep Dive
Jean Smart, celebrated for her role in “Hacks,” takes on the character of Izzy in Jamie Wax’s memory play at Broadway’s Studio 54. The play opens with Izzy in a cramped trailer bathroom, immediately setting a tone of confinement and introspection. Smart’s character uses poetry as a means of escape from her oppressive marriage, scribbling verses on toilet paper. Helen Shaw notes that Smart’s performance is captivating, drawing the audience in with her charm and vulnerability. The set design and lighting further enhance the mood, creating a poignant backdrop for Izzy’s story.
Smart’s portrayal of Izzy evokes memories of her character Charlene in “Designing Women,” showcasing her ability to convey both self-doubt and regal assurance. The use of poetry in the play provides Izzy with a sense of command, allowing Smart to deliver beautiful and wafting recitations. While Wax’s writing is gifted with meter, Shaw points out some clumsiness in the prose and plot development. Nonetheless, the play serves as a powerful vehicle for Smart to showcase her exceptional talent.
My lover gives sweet gifts to me that I can call my own:
A spattered scarf, a tattered dress,
A ring of shattered bone,A string of blue-black bruises,
Every single one a gem.
They quickly cover me,
And then I rush to cover them.
Despite some shortcomings in the plot, “Call Me Izzy” effectively highlights the horrors of domestic violence, leaving a lasting impact on the audience. Smart’s performance is a testament to her skill and ability to bring complex characters to life.
John Krasinski in “Angry Alan”: Exploring the Manosphere
In contrast to the cavernous Studio 54, John Krasinski stars in Penelope Skinner’s “Angry Alan” at the intimate Studio Seaview. Krasinski plays Roger, a Midwestern grocery-store worker who becomes radicalized by a men’s-rights YouTube personality. Krasinski’s character attempts to explain his guru’s thoughts on the “gynocracy” to his feminist girlfriend, practicing his pitch to the audience. Shaw describes Krasinski’s attire as a millennial-preppy uniform, designed by Qween Jean.
“Angry Alan” delves into the self-harming tendencies of some men, portraying Roger as someone who is aware of his inability to cry and is also an earnest dad seeking to reconnect with his child. Roger’s fascination with male suicide statistics underscores the play’s exploration of male aggression and internal struggles. Sam Gold’s direction and Lucy Mackinnon’s video design enhance the moments of contagion, projecting glitching red static onto the stage.
Shaw critiques Skinner’s dissection of the red-pilled male mind-set, noting that while she effectively shows how a “just asking questions” manner masks deep resentment, she lacks specificity. The believability of certain aspects of the play is also questioned, such as Roger’s bafflement with pronouns. Despite these issues, Krasinski’s personable performance and connection to his “Office” persona add an intriguing layer to the character.
The Influence of Emily Blunt
While not directly involved in these productions, the connection to Emily Blunt is notable, especially considering her marriage to John Krasinski. Blunt’s successful career in film and theater adds another layer to Krasinski’s stage presence. Knowing that Krasinski is married to a celebrated actress like Blunt might influence how audiences perceive his performance and character in “Angry Alan.”
Emily Blunt’s own forays into acting, marked by versatility and acclaim, set a high bar for performance quality that inevitably casts a shadow – albeit a supportive one – on Krasinski’s theatrical endeavors. This intermingling of personal and professional lives invites audiences to draw comparisons and appreciate the diverse talents within this power couple.
Final Thoughts
Jean Smart and John Krasinski’s performances in “Call Me Izzy” and “Angry Alan,” respectively, offer compelling insights into themes of misogyny and personal struggle. While Smart delivers a captivating portrayal of a woman seeking solace in poetry, Krasinski explores the radicalized mind-set of a man caught in the manosphere. The connection to figures like Emily Blunt adds an additional layer of interest, highlighting the interconnectedness of the entertainment world. These productions, despite their flaws, contribute to the vibrant and thought-provoking landscape of New York theatre.
Ultimately, “Call Me Izzy” and “Angry Alan” prompt audiences to reflect on important social issues and appreciate the talent of the actors who bring these stories to life. The performances serve as a reminder of the power of theatre to provoke thought and inspire change.
Leave a Reply