Lucy Dacus, the acclaimed singer-songwriter, recently participated in Vulture’s Maria Bamford Questionnaire, offering insights into her life, fears, and preferences. This questionnaire, known for its unique and probing questions, reveals surprising aspects of Dacus’s personality and worldview. From her desire to compete on Survivor to her aversion to Las Vegas, Dacus’s responses are both candid and thought-provoking.
In this article, we delve into the highlights of Lucy Dacus’s Maria Bamford Questionnaire, exploring her thoughts on religion, beauty, and the mundane aspects of daily life. Her answers provide a glimpse into the mind of an artist who is unafraid to confront her fears and embrace the absurd. Join us as we unpack Dacus’s reflections on fame, personal habits, and the search for meaning in a chaotic world.
Dacus expressed a strong desire to participate in the reality TV show Survivor, though she humorously questioned her back’s ability to handle the physical challenges. She is also curious about Traitors. Her interest lies not in the fame or attention, but in the pure experience of competition. She wants to know what it’s like to compete. Ideally without cameras.
Dacus also shares her strategy for Survivor, stating, ‘I would try to suss out who I think should win, and then I would align with them and try to go as far as I could with them. Because then if I lost, at least the person I want to win could win.’ This approach reveals her collaborative mindset and desire for fairness, even in a competitive environment.
Dacus has a strong aversion to Las Vegas, describing it as a place where she felt ‘the depression descending upon me.’ She visited the Strip once with her family and found the experience overwhelmingly negative. While she acknowledges that other parts of Las Vegas might be more appealing, she is hesitant to return to the Strip.
This sentiment contrasts sharply with the city’s reputation as a hub of entertainment and excess, highlighting Dacus’s preference for authenticity and genuine experiences. Her dislike of Las Vegas underscores her sensitivity to environments that feel artificial or soulless.
When asked about something she’d like to quit, Dacus mentioned her habit of digging her nails into her fingers, a tic she’s often unaware of until someone points it out. More profoundly, she shared her fear of ‘being reliant on anything,’ which extends to her avoidance of coffee and her apprehension about embracing new experiences due to fear of dependence.
Dacus also revealed her recurring fear that ‘The people in my life will die without peace.’ This deeply personal concern speaks to her empathy and her desire for harmony and resolution in her relationships. Additionally, she admitted to a more immediate fear: ‘when I’m in a bad way, every time I walk into a dark room, I think there’s going to be somebody waiting to kill me.’
When asked to describe something that is funny to her, Dacus immediately responded, ‘Maria Bamford.’ She clearly appreciates Bamford’s unique brand of comedy, suggesting a shared sensibility and a penchant for humor that is both insightful and absurd. Her admiration for Bamford reflects her own artistic approach, which often blends vulnerability with wit.
Conversely, Dacus expressed strong disapproval of comedy that relies on making fun of marginalized groups. She criticized such comedians as ‘lazy’ and lacking in originality, stating, ‘I think that it’s possible to be funny and not make fun of disabled people or non-white people or trans people.’ This stance underscores her commitment to inclusivity and her belief that humor should be used responsibly.
Dacus finds beauty in the simple act of watching hummingbirds in her backyard. She appreciates the sense of safety they seem to feel, as evidenced by their willingness to sit and rest. This appreciation for nature and small moments of peace reveals her contemplative side.
In contrast, Dacus finds single-use cups particularly ugly, lamenting the sheer volume of waste they generate. Her concern for the environment and her awareness of the impact of everyday choices highlight her commitment to sustainability and her desire for a more responsible way of life.
Dacus revealed that she thinks a lot about how to take care of ourselves without money. Dacus is looking into how food, water and shelter can be sustainable without money.
This reflects Dacus’s broader interest in creating a more sustainable and equitable world, where basic needs are met without the need for excessive wealth or consumption.
Lucy Dacus’s Maria Bamford Questionnaire offers a multifaceted portrait of the artist, revealing her passions, fears, and values. Her love for Survivor, her aversion to Las Vegas, and her appreciation for Maria Bamford’s comedy provide a glimpse into her unique worldview. Dacus’s responses highlight her commitment to authenticity, inclusivity, and sustainability, making her not only a talented musician but also a thoughtful and engaged citizen.
In conclusion, Lucy Dacus’s participation in the Maria Bamford Questionnaire serves as a reminder that even in the realm of entertainment and celebrity, there is room for introspection, social consciousness, and a genuine desire to make the world a better place. Her insights offer a valuable perspective on the challenges and opportunities of modern life, encouraging us to embrace our fears, celebrate beauty, and strive for a more sustainable future.
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